As a former motocross rider, I could only share a bit of my passion here through photography. Instead of showing you some of my own portfolio pictures, I thought I’d introduce you to one of the best professional photographers in this field. And one of the reasons I chose him was because he works for several big motocross magazines and pro-teams to cover the US outdoor championship and the world championship too.
You’ve dreamed about it? Here it is! As I promised you while sharing Cyril Verron’s interview, you can find here the tutorial of one of Cyril’s most outstanding pictures. I want to thank Cyril for revealing some of his secrets and of course for the time he took to share his knowledge with us. So without any further due, let’s start now!
First, let’s see its EXIF data obtained with his Canon 5D II and Canon EF 100mm f/2.8L IS USM Macro Lens and then I let Cyril explain everything (Editor’s note: Translated from French, descendez tout en bas pour voir la version Francaise):
Focale lenght : 100mm
ISO : 100
Aperture : f/3.5
Speed : 1/320 sec
In the Field
They’re quite common data so let’s get an in-depth analysis with Cyril himself:
“Draw the light” is a photograph that I took in April 2012. At this time, I was especially working and training on my compositions without my own personalized settings that I use henceforth, like the white balance or the color saturation. Continue reading Macro Photography Tutorial by French Photographer Cyril Verron
As you’ve probably read the first part of “My Journey with a Wildlife and Macro Photographer” I will jump right away to the second part of this fabulous experience. If you have not read the first part, you can read it here. After reading this part, I also recommend going back to the first part to see the image samples again with their captions so that you can understand better the explanations.
The Creative Art Philosophy
I see eye to eye with Thomas’ photography philosophy, I mean, even before meeting him I’ve always loved and found the artistic
photographs appealing. It has just consolidated my vision. The purpose is not to take naturalistic pictures where you can identify the species, see how the insect’s eyes are made or it’s little hair. The purpose is more about artistic and fine art photographs. In order to reach this goal, the first thing is not to take big close-ups but on the contrary the environment where the subject evolves must have a bigger impact. Having the subject quite small in the photographs is not a problem, it’s actually the contrary.