Black Friday, Cyber Monday, that great, but there’s also Christmas to make great deals out of the holiday season! Let’s share some of the best deals out there for you guys.
First off, there is a great deal on most of Sony products, not only cameras but Playstation, video games, digital contents etc. Check this out right here.
Second, great news for Sony shooters of for those who want to switch to mirrorless. The price drop of the Sony A7II and the A6000 is permanent. Please check this out here for the A7II and here for the A6000
For the past year, iLHP has been collaborating with some of the industry’s best brands and manufacturers in order to bring you the newest and latest in photography. We’ve had early sneak previews and exclusive interviews. This past month, we attended the PhotoPlus Expo in New York City and met with ZEISS. We had the fortune of speaking with Nicole (Marketing Manager), Christoph (Brand and Product Communications), and Christophe (Senior Product Manager).
What is Zeiss Up To?
They were very enthusiast in answering your and our questions. Many projects are being developed and as you can imagine the partnership with Sony is their main point of focus, so to speak. There are obviously some secrets that they have to keep as the industrial competition is always ongoing but they could let us know that we can expect about 5 new Full-Frame E-mount lenses, including 2 to 3 new ones in 2016.
The Full Frame system is now clearly what the engineering and R&D teams in Germany are asked to develop. The A5100 and the A6000 are amazing cameras but are not the primary targets they want to address. They admitted being surprised by how popular and successful the A7 series is.
I’ve been wondering for a very long time if using a teleconverter, moreover a 2x one, was worth it or not. I’ve heard a lot on forums that I would lose light, the aperture is reduced 2x (f/2.8 becomes f/5.6) that it is not sharp at all and that I would even lose autofocus. That made me doubt a lot even if it is not that expensive, but still, from $120 to $180 on average, that is always money coming out of you wallet that would be lost in the end if this is really bad!
I use this Sigma 150mm f2.8 APO macro lens for all my macro work that is very good but also big and heavy. I wanted to have this extra reach to do some wildlife photography without adding the bulk and weight to my backpack and without paying $1500-$2000 for a 300mm lens. A teleconverter then seemed like a good idea so I gave it shot. I bought this Bower Teleconverter on Amazon for $126.
Most professional photographers work with full frame cameras. No surprise here, it is known to yield the best image quality. That said, the latest APS-C size sensors have improved drastically lately. The Sony A6000 and the Nikon D7200 and the D5300 are the proof that this sensor size can be excellent (for the most camera geeks of you, you will have noticed that these 3 have the same 24.3MP Sony sensor but Nikon has its own way of working with it).
This test here is showing how close it can be. The gap seems to get smaller and smaller lately, so is it worth upgrading your gear to have a full frame sensor knowing a full frame camera and all the lenses are significantly more expensive? There are many criteria to take into account.
Investing into a camera system can be very costly. The body itself is expensive but the lenses are the most expensive purchases. Fortunately, the lenses can last for decades if well maintained and treated. They also lose less value over time then the camera body. But even if we can change the camera body relatively more easily, the system we invest in determines the lenses you will buy.
Questions: Is it worth investing in a full frame sensor nowadays knowing the APS-C size (and even the micro 4/3rd sensors to a lower extent) have a great image quality, most of the time similar?What criteria are to take into account?
Canon with its brand new 5Ds and 5Dsr did not really convince anybody. DxOLab said it is Canon’s best score ever but it is still ranked at the 21st position, far behind the Nikon D810 and the Sony A7r. Let’s imagine the score of the A7rII. Phenomenal. Don’t take me wrong though, the 5DIII is still a very good camera, but it needs a major overhaul to fight against the upcoming A7rII. That being said, some professionals have already made the switch seeing the great potential in these new kind of full frame cameras, probably even more once the A7rII will be available. So I wanted to provide an example of some great professional photographers that are pleased with their new system.
“I’ve got the greatest job in the world. My worst days as a photographer might be the greatest days in the lives of many people.” — Brian Smith