Tag Archives: magnification

What Can We Expect From A Sony A7MarkIII Now That the A9 Has Been Announced?

We are used to see Sony release new cameras at a tremendous pace. Each and every year we have a new camera. The A7II has been released just a year after the A7, same for the A7r/ A7rII and A7s/A7sII. The A7rII is literally a flagship for Sony as it encompasses all the new technologies Sony has been working on the past few years, especially with the 5 axis stabilization combined with the world premier full frame back-lit sensor. Until the A9 has been announced on April 19th, 2017. The A9 is clearly a game changer. I know I know, we have been saying this for every single A7 that has been released the past couple years. But the A9 has a different flavor. The high-end professional flavor that was missing in the mirrorless world and that just put an end to the endless debate between DSLRs and mirrorless bodies. It brings the credibility, especially in terms of focusing capabilities, that mirrorless needed the most. That is not all of course but one of the main feature that will definitely kill DSLRs. One can still argue on the size of the body being too small for his/her hand but the fact is that performance wise, the A9 buries its competitors, including the kings Canon 1DX and Nikon D5, and icing on the cake, it is up to $2000 less expensive than its famous competitors. We’re not going to detail all the great features housed by the A9 as there are plenty of reviews out there for that but instead, I’d like to imagine what the A7markIII would be like, now that the new A9 flagship has been announced and shows what Sony has been up to. That tells us a little bit more on the way Sony is taking.

Sony A9 specs

But would it be accurate or fair? As a matter of fact, comparing the A7III that will be the entry level to the A9 that is the high-end pro model could be sort of… inappropriate. But we can expect Sony to introduce some of these new technologies to the newer bodies in order to ensure to stay ahead in the mirrorless run, or even in the Full Frame interchangeable cameras since Sony just took over Nikon in that field recently. In the past, Sony has always introduced the A7 then A7r and quickly after the A7s series, we can reasonably expect the next body to be the A7III.

However, it is important to note that the A7II was released in January 2015, a little bit more than 2 years ago which means that Sony decided to change and slow down its pace in renewing its cameras and instead work on the lenses offer. It is a good and a bad thing some would say, I will let you be the judge. But in my opinion, this is a very good thing. First, it will settle down the image of the cameras and they will lose less value over time, making them appear more credible and valuable against CaNikon competitors, and second, it shows that Sony is focusing more on developing the E-mount lenses, bringing more credibility to the system. Knowing this, we can assume that this system will reach maturity by the end of 2017 ( especially since Zeiss declared to iLHP being ready to release 2-3 others E-mount lenses in 2017). Considering the success of this system, third party manufacturers will also get more involved and start to make lenses as well. Sony A7rII iLHPSigma, for instance, has been stressed a lot in the past few months by A7 consumers and prosumers to produce their ART series for the E-mount. From the latest developments, it sounds like Sigma will soon release some E-mount lenses, which will add up to the already Sony and Zeiss offer as well as Rokinon/Samyang and some others.In total, that is more than 50 lenses that are available for the E-mount system. And the professional G-Master series is growing quickly, introducing the 100-400mm G with the A9 for sports photographers.

Sony will obviously keep innovating. This will not end here. They literately attacked Canon and Nikon by creating a new market and taking a significant share of the whole DSLR/mirrorless market. They’re now targeting their professional market, exactly where no one else could compete, not even close. Without a doubt, Canon and Nikon will react within a year or two, at least they should! Sony knows this and is obviously working on the A7II successor that we might be expecting for January 2018 if they want to stay ahead of the game.

What can we expect from an A7 mark III?

Sony A9 and A7rII size comparison
Size comparison between the A7rII and the A9. The A9 is mostly identical except for the grip that is a little bit more prominent and height is surprisingly one millimeter smaller. Weight is 673g, just 73g more than the A7II.

Continue reading What Can We Expect From A Sony A7MarkIII Now That the A9 Has Been Announced?

10 Reasons To Switch From a DSLR to a Mirrorless System (With Examples: Nikon vs Sony)

Choosing photographic equipment can be both complicated for professionals and extremely difficult for beginners and amateurs. Beginners are often overwhelmed with choices. Pros make a living with their gear and talent know what they need in terms of specs, lenses and accessories. But in the face of endless choice, even they can get lost.

UPDATE: Check out our first impressions and field test of the A7II here and the 7 game changing features of the latest A7rII!

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The Sony A7s, first Full Frame mirrorless camera that can reach 409,600 ISO

Just like Jason Lanier who switched from Nikon to the Sony A7S, Serge Ramelli (by the way Serge has amazing tutorials on YouTube!) and Michael Shainblum who switched respectively from Canon to Sony A7R and A7S, many other professionals are either changing or starting to study the possibilities of switching to a mirrorless system. And for sure, for some professionals the A7rII will be a no brainer as it offers some features never proposed on a DSLR body until now like a silent shutter, BSI sensor 5 axis in-body stabilization and the possibility to use as well E-mount, A-mount and Canon lenses (and a Nikon adapter should follow).

Their decisions are interesting to study. It is important understand why this system is a game changer, not only for consumers like us, but also for professionals. Switching from a traditional DSLR to a mirrorless system like Sony’s for a pro represents a big change, not as much as switching from film cameras to digital cameras, but this new technology is reliable and represents its little revolution of its own in the photography field.

Here are 10 reasons why it makes sense to switch to a mirrorless: Continue reading 10 Reasons To Switch From a DSLR to a Mirrorless System (With Examples: Nikon vs Sony)

How to Shoot Artful Droplets on Flower Petals

Droplet, drop, petal, flower, red, black, macro, Sony, Sigma, water
90mm, f/2.8, 1/400 sec, 100 ISO

Petals and droplets… classic combo but it always works well! It can be graphical, poetic or simply gorgeous.

It’s not always easy to do but here I give you my tips to get your own droplet on a petal shot.

Droplet, drop, petal, flower, pink, purple, macro, Sony, Sigma, water
90mm, f/8, 1/8sec, 100 ISO

Continue reading How to Shoot Artful Droplets on Flower Petals

5 Tips to Better Macro Photography (Part 2)

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50mm, f/5.6, 1/80, 640 ISO

In order to offer you a better in-depth article for our macro-photography introduction, you’ll find here 5 other tips from my own experience you might need if you want to go further in this magical photography field :

5. Live View. Use the live-view mode. It’s easier when you need to have your camera on the ground for creative perpectives and in the meantime you see directly the depth of field you have. It’s easier than to use the depth of field preview button when you are into the grass. By the way, remember to use enough depth of field. You will usually want to have the best bokeh ever but you will probably end up having almost everything blurry. Especially with extension tubes of course, the depth of field is very shallow.

DSC00642 (2)

16mm extension tubes (24mm, f/4.5, 1/60 sec, 200 ISO, +1.3EV)

4. Manual focus. I would usually recommend to use manual focus in order to be sure that the focus is made on the object you want. Otherwise you could be bothered by the Auto-focus choosing another part that you do not want as your main subject. Continue reading 5 Tips to Better Macro Photography (Part 2)

Top 5 Tips to Better Macro Photography (Part 1)

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Use extention tubes if you don’t have a macro lens (23mm, f/4, 1/250 sec, 100 ISO, +0.3 EV)

Macro-photography has this little thing that makes it look magical!

Indeed, this technique transforms common objects into a strange or spectacular landscape. But as it is so small, it is often hard to see what we can get out of it. If you want to shoot insects, they’re quite hard to catch and don’t forget, the wind is your ennemy!

In order to make the most out of your new macro lens or extension tubes, here are 5 tips to improve your macro shots:

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16mm extension tube/ 24mm, f/4.5, 1/125 sec, 100 ISO, +1EV

Continue reading Top 5 Tips to Better Macro Photography (Part 1)