“You will never regret, even a second, the images produced by this sensor”.
That being said, with the A7 series announced back in October 2013, Sony had already declared war to Canon and Nikon with this new category of weapons stating new references on the market especially with the A7s in terms of ISO performances. This series was very well engineered right from scratch and no one can deny its success now. The A7II is thus a refinement of the A7 featuring new assests/ skills that we have been discussing in the first part here.
As you already know, I loved how handy and well built this camera is. It is very practical and easy to use even though I think I could use one more customizable button. I also had to point a few flaws but they are not significant considering the qualities and the delight that this camera will offer you! So I am now going to test and review the image quality, for those who cannot put $3200 on the table to splurge on the all new A7rII (body only), the A7II offers already a great quality enjoyable for most of us, enthusiats and even pro-photographers — as I discussed here in a previous article — for half the price, $1600 body only.
It is clear that the image quality depends on the lens you are using. It is then difficult to establish a clear ranking unless you do scientific tests and multiple comparisons with different cameras with the same lenses like DxOlab would do. Continue reading Sony A7II: Field Test! (Part2)→
You’ve dreamed about it? Here it is! As I promised you while sharing Cyril Verron’s interview, you can find here the tutorial of one of Cyril’s most outstanding pictures. I want to thank Cyril for revealing some of his secrets and of course for the time he took to share his knowledge with us. So without any further due, let’s start now!
First, let’s see its EXIF data obtained with his Canon 5D II and Canon EF 100mm f/2.8L IS USM Macro Lens and then I let Cyril explain everything (Editor’s note: Translated from French, descendez tout en bas pour voir la version Francaise):
Michel is a precocious talent. At 22 years old only he already won 2 of the most prestigious wildlife photography prizes and is about to release his first book “A l’Affut” (“On The Lookout”) and yet still a student at a school of photography. iLHP is particularly honored to have him answer our questions and he has been kind enough to let us discover even more his world as a wildlife photographer.
iLHP: Hi Michel, I am very pleased and honored to be able to interview you for our online magazine. Indeed, as some might not know already, you just won at the end of 2014, two of the most prestigious wildlife photography prizes! (the Rising Star Award of the BBC Wildlife of London and the Fritz Polking Nachwuchspreis from the GDT of Lunen for photographers under 23). So I am very glad to showcase your photographs here! To start with, can you just tell us a little bit about you?
Michel: Hi, well thanks for inviting me in this magazine. What can I say ? I was born in 1992, in a very small village in the country side of Belgium drowned in a beautiful intact nature. I was very lucky to grow up among animals and little by little I became passionate about them.
Achieving an architectural photography image that invokes excitement with the viewer can be extremely challenging. The following are tips that have worked best for me…
5) Shoot During the Golden Hour
My absolute favourite time to shoot is during the evening just before sunset. The golden hour is when the sun shines a glowing light and anything that it reflects off of often creates a beautiful image. When an image is shot during this short time, the viewer’s eye is immediately drawn to the brightest spot of the photo which adds a new exciting dimension to the shot.
4) Try Un-boring Compositions and Perspectives
When composing my image I often find that I avoid taking images facing straight at the subject . I try to find an angle that is interesting to the eye and will add a different element to my image other than just the structure itself. I aim to find a perspective that allows the details and colours of my subject to really stand out. I find it best to do a few test shots from different angles to see which will give me the best composition and perspective. In the image below, I shot the Sacre Coeur Cathedral in Paris from as low to the ground as I possibly could. I aimed my camera upwards on a short tripod to give the illusion that the Cathedral is grander against the blue sky and cloudy background.