Black Friday, Cyber Monday, that great, but there’s also Christmas to make great deals out of the holiday season! Let’s share some of the best deals out there for you guys.
First off, there is a great deal on most of Sony products, not only cameras but Playstation, video games, digital contents etc. Check this out right here.
Second, great news for Sony shooters of for those who want to switch to mirrorless. The price drop of the Sony A7II and the A6000 is permanent. Please check this out here for the A7II and here for the A6000
As you all know now, we, at iLHP, love wildlife photography and try to share with you interviews with great photographers in that field. You probably remember that we interviewed this fantastic young photographer (here), Michel D’Oultremont who had just won the Rising Star Award of the BBC Wildlife and the Fritz Polking Nachwuchspreis. Michel is coming back, but this time, with a truly beautiful and meaningful video. Please see below the press release and the video. Enjoy!
“During the shoot luck wasn’t really on our side as the animals were very discreet. That’s also what makes wildlife photography so special; nothing is ever guaranteed. The final film is incredible and I think that phrase ‘the wait’ perfectly encompasses the tough conditions we were in.”
‘THE WAIT’ – FROM A LONDON GALLERY TO THE BIG SCREEN
FILMMAKERS FOLLOW YOUNG PHOTOGRAPHY TALENT ON THE TRAIL OF WILD BISON
In 2014, at just 22 years of age, the Belgian wildlife photographer Michel D’Oultremont made his name on the international scene by winning the ‘Rising Star’ award at the National History Museum’s annual ‘Wildlife Photographer of the Year’ exhibition.
iLHPis always on the look out to bring the best and exclusive content as you already know. We’ve interviewed lately the Zeiss managers at PhotoPlus Expo in New York. But our purpose is also to promote the work of great photographers, amateurs and professionals in different fields like fashion, macro, wildlife and architecture but this time is a little bit more exclusive and rare. iLHPmet with Alex Pixelle, a professional photographer in the very exclusive industry of film making and TV shows! Her style is obviously outstanding. Alex was kind enough to make herself available in her very busy schedule and meet with us around a cup of coffee to talk about her photography world.
“To me photographing an actor/artist, is above all, bringing the best out of him/her and sublimate their charisma. The complete opposite of the craziness of the paparazzi. You have to respect them. It is pro to pro relationship, that is how they accept you.”
iLHP: Hi Alex, we’re very happy and honored to have you here at iLHP. Photography and videography (movies) are sometimes very close together, however this is the first time we interview a movie and TV set photographer. Can tell us more about you?
Alex: I’m 27 years old. I come from the center of France, the region of the castles (les chateaux de la Loire). I always wanted to be a photographer since I was a teenager, but people tried to discourage me, saying it was not a “real job”. I thought that you have to do what you like, what you are passionate about in life, to accomplish your dreams, so I thought I should work hard on this!
“The Sony A7rII is a little revolution of its own!”
So here I am, thinking about dropping some hard earned cash on another camera system. I’ve definitely been a sucker for hype and the latest generation of cameras have lured hours of my attention from actual work. Maybe I was going to procrastinate either way, but at the end of this tunnel, I will probably be losing a hefty amount of cash to replace it with several hundred grams of magnesium alloy housing some serious CMOS circuitry.
Photographer or Photo Enthusiast?
As large camera manufacturers start churning out the hype machines, many photo-enthusiasts will start salivating for these new imaging monsters; bigger resolution, better dynamic range, higher sensitivity, faster processing, more connectivity, etc. It’s enough to make you go out and justify maxing out your credit card in order to ignite a spark that hasn’t been lit since the last time you purchased a camera.
But before you do that, you need to ask yourself this question: What do I need this for? It’s pretty simple but for many, this could be like walking through a land mine.
As mirrorless cameras start eating away at DSLR sales worldwide, the old guard of photography; primarily Nikon, Canon and Pentax have been trying to stop the hemorrhaging of their entry level and enthusiast range of cameras.
To this day, nothing excites me more than placing my eye against my Canon 5D Mk III eye piece and seeing a tried and tested system in that reflex but for many, it’s totally unnecessary to carry a bigger, heavier camera all for the sake of that mirror box . You see, many families now want great image quality without carrying the big DSLR, these mirrorless cameras can provide just that but on the other end of the spectrum, enthusiasts might require a sturdier built machine that can withstand nature’s elements.
Most professional photographers work with full frame cameras. No surprise here, it is known to yield the best image quality. That said, the latest APS-C size sensors have improved drastically lately. The Sony A6000 and the Nikon D7200 and the D5300 are the proof that this sensor size can be excellent (for the most camera geeks of you, you will have noticed that these 3 have the same 24.3MP Sony sensor but Nikon has its own way of working with it).
This test here is showing how close it can be. The gap seems to get smaller and smaller lately, so is it worth upgrading your gear to have a full frame sensor knowing a full frame camera and all the lenses are significantly more expensive? There are many criteria to take into account.
Investing into a camera system can be very costly. The body itself is expensive but the lenses are the most expensive purchases. Fortunately, the lenses can last for decades if well maintained and treated. They also lose less value over time then the camera body. But even if we can change the camera body relatively more easily, the system we invest in determines the lenses you will buy.
Questions: Is it worth investing in a full frame sensor nowadays knowing the APS-C size (and even the micro 4/3rd sensors to a lower extent) have a great image quality, most of the time similar?What criteria are to take into account?