You might have heard that the Sony E-mount system hit the 50 lenses a few days ago with the much anticipated 14mm f2.8 and 50mm f1.4 from Samyang/Rokinon. It might be time now for a Sony guide as it is not simple at first to understand its nomenclature: there are different frames covered, several mounts and several product range. In addition, Sony optical technologies are bristling with sometimes complex acronyms. Do not worry, we will explain everything!
For the past year, iLHP has been collaborating with some of the industry’s best brands and manufacturers in order to bring you the newest and latest in photography. We’ve had early sneak previews and exclusive interviews. This past month, we attended the PhotoPlus Expo in New York City and met with ZEISS. We had the fortune of speaking with Nicole (Marketing Manager), Christoph (Brand and Product Communications), and Christophe (Senior Product Manager).
What is Zeiss Up To?
They were very enthusiast in answering your and our questions. Many projects are being developed and as you can imagine the partnership with Sony is their main point of focus, so to speak. There are obviously some secrets that they have to keep as the industrial competition is always ongoing but they could let us know that we can expect about 5 new Full-Frame E-mount lenses, including 2 to 3 new ones in 2016.
The Full Frame system is now clearly what the engineering and R&D teams in Germany are asked to develop. The A5100 and the A6000 are amazing cameras but are not the primary targets they want to address. They admitted being surprised by how popular and successful the A7 series is.
I’ve been wondering for a very long time if using a teleconverter, moreover a 2x one, was worth it or not. I’ve heard a lot on forums that I would lose light, the aperture is reduced 2x (f/2.8 becomes f/5.6) that it is not sharp at all and that I would even lose autofocus. That made me doubt a lot even if it is not that expensive, but still, from $120 to $180 on average, that is always money coming out of you wallet that would be lost in the end if this is really bad!
I use this Sigma 150mm f2.8 APO macro lens for all my macro work that is very good but also big and heavy. I wanted to have this extra reach to do some wildlife photography without adding the bulk and weight to my backpack and without paying $1500-$2000 for a 300mm lens. A teleconverter then seemed like a good idea so I gave it shot. I bought this Bower Teleconverter on Amazon for $126.
Canon with its brand new 5Ds and 5Dsr did not really convince anybody. DxOLab said it is Canon’s best score ever but it is still ranked at the 21st position, far behind the Nikon D810 and the Sony A7r. Let’s imagine the score of the A7rII. Phenomenal. Don’t take me wrong though, the 5DIII is still a very good camera, but it needs a major overhaul to fight against the upcoming A7rII. That being said, some professionals have already made the switch seeing the great potential in these new kind of full frame cameras, probably even more once the A7rII will be available. So I wanted to provide an example of some great professional photographers that are pleased with their new system.
“I’ve got the greatest job in the world. My worst days as a photographer might be the greatest days in the lives of many people.” — Brian Smith
We all have different needs and we like to shoot a lot of different things, but we’re always curious to know what is in the other’s camera bag. What gear, what accessory does he use to get these shots? Like some other photographers in our interviews at iLHP, today, I thought I’d share with you a part of my “secret”: the composition of my camera bag.
As a reminder, I mostly shoot macro but I’m starting to do architectural photography and always enjoy shooting lansdcapes, cityscapes and nature photography. My bag is a bag made for hiking, nothing special about photography, I just wanted something inexpensive (I prefer to spend my money into gear and travels) but it needed to be comfortable. Nothing is better than a hiking back-pack with a belt around the hips when you have some weight to carry. I put my lenses into the blue/grey bag to protect them and put it into the big bag. The rest of the accessories are distributed into different pockets of the bag. I use the Capture from Peak Design to attach it easily on the back-pack strap. It’s easy to attach it and to take it off quickly to shoot. I also use the Cuff, also from Peak Design to secure it around my wrist. Continue reading What’s In My Camera Bag?→