Tag Archives: 150mm

Sony A7II: Field Test! (Part2)

(We gave our first impressions here in Part 1 on the A7II. We’re now about to detail its image quality in real life.)

Sony just announced the all new A7rII (please read here our Top 7 Game Changing Features of the A7rII) with some amazing new features. We love how aggressive Sony is on the market forcing the “big ones” to react or die. This is an excellent competition, forcing every manufacturers to move forward and offer some real innovative technologies that Canon and Nikon (10 reasons to switch to mirrorless) have not been too prompt to do these past 5 years, thinking that their reputation and their cameras were good enough no matter what (Will they go full frame mirrorless?).

Official Sony Mirrorless website

“You will never regret, even a second, the images produced by this sensor”.

That being said, with the A7 series announced back in October 2013, Sony had already declared war to Canon and Nikon with this new category of weapons stating new references on the market especially with the A7s in terms of ISO performances. This series was very well engineered right from scratch and no one can deny its success now. The A7II is thus a refinement of the A7 featuring new assests/ skills that we have been discussing in the first part here.

As you already know, I loved how handy and well built this camera is. It is very practical and easy to use even though I think I could use one more customizable button. I also had to point a few flaws but they are not significant considering the qualities and the delight that this camera will offer you! So I am now going to test and review the image quality, for those who cannot put $3200 on the table to splurge on the all new A7rII (body only), the A7II offers already a great quality enjoyable for most of us, enthusiats and even pro-photographers — as I discussed here in a previous article —  for half the price, $1600 body only.

Image Quality

It is clear that the image quality depends on the lens you are using. It is then difficult to establish a clear ranking unless you do scientific tests and multiple comparisons with different cameras with the same lenses like DxOlab would do. Continue reading Sony A7II: Field Test! (Part2)

Macro Photographer: Nicolas Frin “The Fairy Maker”

“Fairytales,” that’s what this French photographer inspires me. We’ve interviewed a lot of macro/wildlife photographers lately, even Michel D’Outltremont who’s a freshly BBC award winning talent, but Nicolas Frin has his own vision of macro. His style is very light, very pure, and he masters bokeh like no one else does. I am very excited about introducing Nicolas and know more about him and his art!

Perce neige repro logo 2015

iLHP: Welcome to iLHP Nicolas, I am very pleased to meet you and ask you some questions about your art. Can you tell us a bit about yourself?

Nicolas: Hi Chris, first of all, thank you for broadcasting my work! My name is Nicolas Frin, I’m 34 years old and I live in the north of France and I work as a sales representative in a carpentry business.

iLHP:  When did you start photography?

Continue reading Macro Photographer: Nicolas Frin “The Fairy Maker”

Choosing the Ideal Macro Lens Focal Length

What is the difference between the 60mm, 100mm and 150mm macro lens? 

If you’re looking to purchase a DSLR macro lens for the first time, it’s easy to get confused by the range that is available. To be considered as a macro lens, the lens must feature a 1:1 magnification, meaning that the object will be reproduced at its actual size on the sensor. depending on the practice you have, you’ll need different length of macro lenses. But let’s define what macro photography is.

What is Macro Photography?

Eye macro lens - iLHP
(Photo credit: Suren Manvelyan)

But first, what is macro photography? It’s pretty hard to define. We all have our own appreciation of the distance it should be to be considered macro. Usually people tend to call everything macro as long as it is a general close-up. It actually gathers 3 types of categories:

Continue reading Choosing the Ideal Macro Lens Focal Length