In Part 1, I gave an introduction to microphotography and the gear that you’ll need to take photographs on a very small scale. In this part, we will discuss the joys and challenges of working with tiny creatures and insects.
The world of insects, spiders and other small forms can be enjoyed on any beautiful day from early spring until late autumn. I can step out of my house on any sunny morning with a cup of coffee and leisurely browse the garden and see where the action is. Or I can choose my spot and watch and wait. And with a little patience, insects and spiders will show themselves and sometimes seem to pose for the camera.
Watching the world of gardens in this way quickly reveals that it is truly “a jungle out there” – a jungle of small predators and preys striving for survival. Microphotography can uncover amazing details of the mysterious world of insects. And yet, this amazing world of insects is right outside the door of virtually every home.
One of the most popular books that I read during my childhood was Eric in the Land of the Insects, written by the Dutch author Godfried Bomans. In this humorous fantasy, nine-year-old Eric enters the landscape painting that hangs on his wall and he discovers a world of man-sized wasps, bees, butterflies and other insects that is stunningly similar to the world of humans.
The book made such an impression on me that I have always wanted to explore such a world full of wondrous creatures myself. Once photography became a part of my life, I purchased the Canon MP-E 65 mm f/2.8extreme macro lens and my world was populated with grasshoppers, spiders, snails, flies, dragonflies and butterflies—Eric’s world.
What is Microphotography?
Microphotography (sometimes spelled as two words, micro photography) is an extreme form of macro photography.It is magical because it takes us into a smaller universe of vibrant colors, exquisite details and extraordinary patterns that can literally take your breath away. I photograph invertebrates so close-up that they are transformed into large subjects. Through my images I aim to highlight the different characteristics of a variety of species – and their individual charm.
iLHP:Welcome to iLHP Nicolas, I am very pleased to meet you and ask you some questions about your art. Can you tell us a bit about yourself?
Nicolas: Hi Chris, first of all, thank you for broadcasting my work! My name is Nicolas Frin, I’m 34 years old and I live in the north of France and I work as a sales representative in a carpentry business.
What is the difference between the 60mm, 100mm and 150mm macro lens?
If you’re looking to purchase a DSLR macro lens for the first time, it’s easy to get confused by the range that is available. To be considered as a macro lens, the lens must feature a 1:1 magnification, meaning that the object will be reproduced at its actual size on the sensor. depending on the practice you have, you’ll need different length of macro lenses. But let’s define what macro photography is.
What is Macro Photography?
But first, what is macro photography? It’s pretty hard to define. We all have our own appreciation of the distance it should be to be considered macro. Usually people tend to call everything macro as long as it is a general close-up. It actually gathers 3 types of categories:
I know spring is coming but let’s rewind a little bit to this blizzard we underwent during this winter because it offered very interesting things. So how do you photograph extreme conditions in a way nobody does? It depends on the way you look at it.
Part 1 of this series had a common approach winter photography, mostly from a landscape photography point of view. Here, I wanted to explore the situation with a different eye. I wanted to look at perspectives that people wouldn’t see by themselves. I wanted to look at those tiny things that we would forget, but that the camera lens can make us see differently, thanks to the depth of field and bokeh that our eye cannot reproduce naturally.