Why Printings Are Essential For Your Practice

Digital has entered our lives in all its possible forms,  and frankly it is of course very convenient. It has never been easier to take a picture and share it with hundreds or thousands of people in seconds. But while printing photos is becoming easier and cheaper, the paper is shunned. Why?

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How cool is that?

In this article, we’ll explain why it is important to print your picture, either in the form of prints, albums or photo frames.

No matter the format, as long as it is your picture.

Printings, a Way to Aave Your Pictures

It might be less “smart” but it is more durable. That might sound silly to say as the paper can be damaged, burnt or torn etc. But, it might be surprising, the paper can be less fragile than a computer or a hard drive. A photo album that falls several meters high will resist a lot better than a hard drive.

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This is one of my personal frame and yes, Christmas is just around the corner!

Whether it’s film or digital photography, one of the problematics of the photographer is to have a secure archiving system of his/her photos. Photographers using the films are already well aware of the interest of the paper print, because without it a picture is not really developed. But for someone who only takes pictures in digital format, the images are often buried on hard drives or on an online photo storage service and forgotten. Continue reading Why Printings Are Essential For Your Practice

The Curious Case of the Wide-Normal Primes – Sony 28mm f/2 vs. Zeiss Batis 25mm f/2 Distagon

The wide-normal prime is somewhat of an oddity. Nestled between the 17mm & 20mm ultra-wides and the 35mm & 40mm normals, the wide-normal primes sit comfortably, or awkwardly (depending on who you ask), in the 24mm to 28mm range.

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Shot handheld with a Sony 28mm f/2. The wide-normal prime is arguably the most versatile consumer prime lens.

In this lens shootout, we took two of the newest and most anticipated primes for the Sony FE mount to the Orange County County Fair. The County Fair is a public event that brings family and friends together for carnival games, petting zoos, and bacon. Lots and lots of bacon.

In typical iLHP lens review fashion, our tests will be broken down in several rounds as listed below:

  1. Sharpness and Distortion
  2. Vignetting and Flare
  3. Bokeh and 3D Pop
  4. Field of View
  5. Real World Handling

The Contenders & Their Specs

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(c) John vR @ photographicwanderings.com. Despite the Batis’ larger size, it doesn’t weigh that much more than the Sony, and it’s materials are beautiful.

On the left, weighing in at a welterweight of 335g with a $1,299 price tag, is the brand new OLED displayed Zeiss Batis 25mm f/2 Distagon. On the right, weighing in at a featherweight 200g with an equally wallet-easy $448 price tag, is the Sony 28mm f/2.

Both have completely silent AF systems. Both come with pedal-shaped lens hoods. The Zeiss blows the Sony out of the water in terms of build quality, what with its high quality plastics that resemble metal and the world’s first OLED focus scale. But at almost 3x the price, the build quality is expected and, honestly, necessary. The Sony is minimal yet still built very well. No complaints for either lenses then.

Continue reading The Curious Case of the Wide-Normal Primes – Sony 28mm f/2 vs. Zeiss Batis 25mm f/2 Distagon